Outline and Evaluate the View That Modern Family Life Is...

When we say that something is divers it means that it has different forms and different variables. This is the same thing with families in the contemporary UK. However regarding the family it’s a difficult to get everyone to accept the different types of diversities. Some people accept and are happy with the diversity whilst there are some people who think there is only one type of family and that all other types of families are unacceptable. There are different thing which makes up divers family; family structure, family size, sexuality etc. Alongside families, household also have become diverse. In 2001 a study showed that 139,000 children lived in other household types such as adults who were not their parents also 52,000†¦show more content†¦Families being different according to social class. Middle class families are more spread out however this does not mean that kinship had weakened. Foster (1990) found that extended families were living close to each other in the east end of London. Middle class families are tend to be more child centred. There are cultural differences between the different social classes. Marxist sociologist Bourdieu (1986) referred to the upper and middle class families to be cultural capital. There way of living mannerisms and values differ from those who are from a different social class. Upper class children are introduced to high culture. They are taken to opera etc. on the other hand working class families are introducing their children to popular culture. This includes watching c elebrity television programmes, listening to pop music and dressing according high street fashion. There is also sexual diversity which is gay and lesbian households. Week et al. (1999) say that there is a large degree of choice in gay and lesbian households. They have the term ‘chosen families’. The trend of single parent families show that there is an increasing amount of lone parent families it has tripled during the last 30 years. However it is important to see that most single parents do not choose to live this way and it is more likely for them to develop new relationships andShow MoreRelatedOutline and evaluate the view that families in the UK are increasingly diverse (33)1467 Words   |  6 PagesOutline and evaluate the view that families in the UK are increasingly diverse (33) Families are becoming increasingly diverse in the UK because of changing norms and values in society. Postmodernists highlight that people are free to choose the family type that suits them best therefore allowing for harmonious relationships in society. On the other hand Functionalists are against family diversity and argue that a family that does not fit the nuclear model creates instability. A traditional viewRead MoreScly1 Past Papers7036 Words   |  29 PagesSCLY1 (Old Specification) Past Exam Questions Although June 2016 will be a new specification and exam structure much of the material you have learnt in families and households applies to the new exam. Below are examples of questions taken from the old exam papers that you should practice writing plans for as they are still relevant. However there are a few key differences: * The question you will answer will be worth 20 marks not 24 marks. * You will have 30 minutes to write a 20 mark answerRead MoreIntroduction to Large Scale Organizations18988 Words   |  76 Pagesenvironments. Effectiveness and Efficiency are used to evaluate organisational success on a very broad basis Effectiveness refers to the ability to formulate and achieve suitable objectives Efficiency refers to how well an organisation uses its resources to achieve objectives Productivity is a measure of efficiency, measures the relations between inputs used per unit of output Key performance Indicators are precise and measurable criteria to evaluate organisational performance, they consist of: CriteriaRead MoreSociology Essay20437 Words   |  82 Pagescopyright  © material is reproduced under Class Licence No. CO1 W 0000195 with the permission of the Controller of HMSO and the Queen’s Printer for Scotland; Guardian News and Media Ltd for extracts from Ros Taylor, ‘Classes in non-traditional family life proposed by government’, The Guardian, 12.05.00. Copyright  © Guardian News Media Ltd 2000; Will Woodward, ‘Testing †¦ testing †¦ testing’, The Guardian 20.05.00. Copyright  © Guardian News Media Ltd 2000; ‘Adoption boost for gay couples’, guardianRead MoreCommunication Studies Syllabus- Caribbean Students12029 Words   |  49 PagesASSESSED 2 PRE-REQUISITES OF THE SYLLABUS 3 STRUCTURE OF THE SYLLABUS 3 APPROACHES TO TEACHING THE SYLLABUS 3 MODULE 1: GATHERING AND PROCESSING INFORMATION 4 MODULE 2: LANGUAGE AND COMMUNITY 11 MODULE 3: SPEAKING AND WRITING 20 OUTLINE OF ASSESSMENT 25 REGULATIONS FOR PRIVATE CANDIDATES 36 REGULATIONS FOR RE-SIT CANDIDATES 36 ASSESSMENT GRID 37 GLOSSARY 38 GLOSSARY OF BEHAVIOURAL VERBS USED IN THE COMMUNICATION STUDIES EXAMINATIONS 42 Introduction T Read MoreOrganizational Behaviour Analysis28615 Words   |  115 Pagesfundamental epistemic considerations there are also ethical restrictions on what social scientists can and cannot do (and for this you Page 2 Please do not attempt to eat these notes. should be extremely grateful!) 2 . Below is a broad outline of the main themes underlying the workshop. It does not represent a any kind of timetable but is intended purely as a guide to help direct your thinking and reading. On page 48 there are also some ‘structured readings’ related to the broad topic areasRead MoreInternational Hr Best Practice Tips38524 Words   |  155 Pagesdiffer significantly in MNCs from other regions. Originality/value - This paper extends existing research by exploring international HR beyond strategies and structures and focuses on communication and coordination processes. It advocates a refined view of the transnational firm. Introduction The transnational firm identified by [3] Bartlett and Ghoshal (1989), has become one of the most prescribed configurations for MNCs ([34] Harzing, 2000; [30] Gooderham and Nordhaug, 2003). Going beyond a matrixRead MoreAn Evaluation on the Customer Relationship Management (Crm) Service Marketing (Sm) with Special Reference to Emirates Airline†30191 Words   |  121 Pagesaffectionate Parents Who send me for higher education And encouraging me† CONTENTS PAGE 3 Acknowledgements Abstract Chapter One Introduction Purpose of Dissertation 1.1 Research Objectives 1.2 Main Source of Information 1.3 Dissertation Outline 1.4 7 8 9 10 13 13 14-15 Chapter Two Literature Review 1.1 Introduction 1.2 Customer Relationship Management 2.2.1 2.2.2 2.2.3 2.2.4 2.2.5 2.2.6 Service Marketing 1.3 2.3.1 2.3.2 2.3.3 2.3.4 2.3.5 2.3.6 2.3.7 2.3.8 EvolutionRead MoreAn Evaluation on the Customer Relationship Management (Crm) Service Marketing (Sm) with Special Reference to Emirates Airline†30204 Words   |  121 Pagesfor higher education And encouraging me† CONTENTS PAGE 3 Acknowledgements Abstract Chapter One Introduction Purpose of Dissertation 1.1 Research Objectives 1.2 Main Source of Information 1.3 Dissertation Outline 1.4 7 8 9 10 13 13 14-15 Chapter Two Literature Review 1.1 Introduction 1.2 Customer Relationship Management 2.2.1 2.2.2 2.2.3 2.2.4 2.2.5 2.2.6 Service Marketing 1.3 2.3.1 2.3.2 Read MoreA Project on Industrial Relations and Labour Welfare16776 Words   |  68 PagesQuality of Working Life, Industrial Relations and Labour Productivity Report from two workshops in WORK-IN-NET Stockholm, May 25-27, 2005 Horst Hart, Erling Ribbing, Kenneth Abrahamsson WORK-IN-NET Labour and innovation: Work-oriented innovations – a key to better employment, cohesion and competitiveness in a knowledge-intensive society -2- WIN-Coordinator’s Foreword This report is based on the main findings of two workshops on Quality of Working Life, Industrial Relations and Labour Productivity

The Yellow Wallpaper By Charlotte Perkins Gilman - 988 Words

Learning about how an author lived/lives their life can really change the way that a story is seen. Without the background knowledge of the author’s life all the reader has to rely on is imagination to fill in the blanks between the story and writer. Wither or not the story is based off the writer’s imagination or not can really change the perceptive that a story is seen. Take for example my reactions to the tale â€Å"The Yellow Wallpaper† by Charlotte Perkins Gilman. My reaction to reading the story â€Å"The Yellow Wallpaper† before knowing anything about Gilman is the first thing that will be discussed. Followed by some information I found during the research process and then how my views of work changed with the information I found. Ending with how I think that knowing the authors life can change the perspective which their writing is seen. Without any back ground information on the work â€Å"The Yellow Wallpaper† besides the year it was publi shed, how society was during that time period and the authors name I found it a rather odd story. It was obviously a tale of female oppression and a swirl into madness because of that type of abuse. Which I thought to be purely fiction the first time I had read it. The thing that really caught me off guard was the seamless transition from perfectly sane to questionable balanced then to undeniably deranged. Which normally when reading something like the descent into delirium you get a sense that the person who wrote the piece is trying to rushShow MoreRelatedThe Yellow Wallpaper By Charlotte Perkins Gilman885 Words   |  4 Pagesbeen a stigma around mental illness and feminism. â€Å"The Yellow Wallpaper† was written by Charlotte Perkins Gilman in the 1900’s. â€Å"The Yellow Wallpaper† has many hidden truths within the story. The story was an embellished version her own struggle with what was most likely post-partum depression. As the story progresses, one can see that she is not receiving proper treatment for her depression and thus it is getting worse. Gilman uses the wallpaper and what she sees in it to symbolize her desire to escapeRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman846 Words   |  4 PagesHumans are flawed individuals. Although flaws can be bad, people learn and grow from the mistakes made. Charlotte Perkins Gilman’s short story, â€Å"The Yellow Wallpaper†, gives one a true look at using flaws to help one grow. Gilman gives her reader’s a glimpse into what her life would have consisted of for a period of time in her life. Women were of little importance other than to clean the house and to reproduce. This story intertwines the reality of what the lives of woman who were considered toRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman1362 Words   |  6 Pagesas freaks. In the short story â€Å"The Yellow Wallpaper† by Charlotte Perkins Gilman, both of these elements are pre sent. Gilman did a wonderful job portraying how women are not taken seriously and how lightly mental illnesses are taken. Gilman had, too, had firsthand experience with the physician in the story. Charlotte Perkins Gilman s believes that there really was no difference in means of way of thinking between men or women is strongly. â€Å"The Yellow Wallpaper† is a short story about a woman whoRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman1547 Words   |  7 PagesCharlotte Perkins Gilman s career as a leading feminists and social activist translated into her writing as did her personal life. Gilman s treatment for her severe depression and feelings of confinement in her marriage were paralleled by the narrator in her shorty story, The Yellow Wallpaper. Charlotte Perkins Gilman was born in 1860 in Hartford, Connecticut. Her parents, Mary Fitch Perkins and Fredrick Beecher Perkins, divorced in 1869. Her dad, a distinguished librarian and magazine editorRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman2032 Words   |  9 Pagesâ€Å"The Yellow Wallpaper† by Charlotte Perkins Gilman is a poem about women facing unequal marriages, and women not being able to express themselves the way they want too. Charlotte Perkins Gilman was born in 1860, and died in 1935. This poem was written in 1892. When writing this poem, women really had no rights, they were like men’s property. So writing â€Å"The Yellow Wallpaper† during this time era, was quite shocking and altered society at the time. (Charlotte Perkins Gilman and the Feminization ofRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman904 Words   |  4 Pagescom/us/definiton/americaneglish/rest-cure?q=rest+cure). Charlotte Perkins Gilman wrote The Yellow Wallpaper as a reflection of series of events that happened in her own life. Women who fought the urge to be the typical stereotype were seen as having mental instabilities and were considered disobedient. The societal need for women to conform to the standards in the 1800s were very high. They were to cook, clean and teach their daughters how to take care of the men. Gilman grew up without her father and she vowedRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman999 Words   |  4 Pages â€Å"The Yellow Wallpaper† is a story of a woman s psychological breakdown, which is shown through an imaginative conversation with the wallpaper. The relationship between the female narrator and the wallpaper reveals the inner condition of the narrator and also symbolically shows how women are oppressed in society. The story, read through a feminist lens, reflects a woman s struggle against the patriarchal power structure. In the â€Å"The Yellow Wallpaper†, Charlotte Perkins Gilman uses the wallpaperRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman Essay1208 Words   |  5 Pagesthat wallpaper as I did?† the woman behind the pattern was an image of herself. She has been the one â€Å"stooping and creeping.† The Yellow Wallpaper was written by Charlotte Perkins Gilman. In the story, three characters are introduced, Jane (the narrator), John, and Jennie. The Yellow Wallpaper is an ironic story that takes us inside the mind and emotions of a woma n suffering a slow mental breakdown. The narrator begins to think that another woman is creeping around the room behind the wallpaper, attemptingRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman846 Words   |  4 PagesThe dignified journey of the admirable story â€Å"The Yellow Wallpaper† created by Charlotte Perkins Gilman’s, gave the thought whether or not the outcome was influenced by female oppression and feminism. Female oppression and feminist encouraged a series of women to have the freedom to oppose for their equal rights. Signified events in the story â€Å"The Yellow Wallpaper† resulted of inequality justice for women. Charlotte Perkins Gilman gave the reader different literary analysis to join the unjustifiableRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman1704 Words   |  7 PagesEscaping The Yellow Wallpaper Charlotte Perkins Gilman (1860-1935) whom is most acclaimed for her short story The Yellow Wallpaper (1891) was a women’s author that was relatively revolutionary. Gilman makes an appalling picture of captivity and confinement in the short story, outlining a semi-personal photo of a young lady experiencing the rest cure treatment by her spouse, whom in addition to being her husband was also her therapist. Gilman misused the rest cure in The Yellow Wallpaper to alarm other

The Twilight Saga 2 New Moon Chapter 20 VOLTERRA Free Essays

string(70) " us and said angry words that I was glad I couldn’t understand\." WE BEGAN THE STEEP CLIMB, AND THE ROAD GREW CONGESTED. As we wound higher, the cars became too close together for Alice to weave insanely between them anymore. We slowed to a crawl behind a little tan Peugeot. We will write a custom essay sample on The Twilight Saga 2: New Moon Chapter 20 VOLTERRA or any similar topic only for you Order Now â€Å"Alice,† I moaned. The clock on the dash seemed to be speeding up. â€Å"It’s the only way in,† she tried soothe me. But her voice was too strained to comfort. The cars continued to edge forward, one car length at a time. The sun beamed down brilliantly, seeming already overhead. The cars crept one by one toward the city. As we got closer, I could see cars parked by the side of the road with people getting out to walk the test of the way. At first I thought it was just impatiencesomething I could easily understand. But then we came around a switchback, and I could see the filled parking lot outside the city wall, the crowds of people walking through the gates. No one was being allowed to drive through. â€Å"Alice,† I whispered urgently. â€Å"I know,† she said. Her face was chiseled from ice. Now that I was looking, and we were crawling slowly enough to see, I could tell that it was very windy. The people crowding toward the gate gripped their hats and tugged their hair out of their faces. Their clothes billowed around them. I also noticed that the color red was everywhere. Red shirts, red hats, red flags dripping like long ribbons beside the gate, whipping in the windas I watched, the brilliant crimson scarf one woman had tied around her hair was caught in a sudden gust. It twisted up into the air above her, writhing like it was alive. She reached for it, jumping in the air, but it continued to flutter higher, a patch of bloody color against the dull, ancient walls. â€Å"Bella.† Alice spoke quickly in a fierce, low voice. â€Å"I can’t see what the guard here will decide nowif this doesn’t work, you’re going to have to go in alone. You’re going to have to run. Just keep asking for the Palazzo dei Priori, and running in the direction they tell you. Don’t get lost.† â€Å"Palazzo dei Priori, Palazzo dei Priori,† I repeated the name over and over again, trying to get it down. â€Å"Or ‘the clock tower,’ if they speak English. I’ll go around and try to find a secluded spot somewhere behind the city where I can go over the wall.† I nodded. â€Å"Palazzo dei Priori.† â€Å"Edward will be under the clock tower, to the north of the square. There’s a narrow alleyway on the right, and he’ll be in the shadow there. You have to get his attention before he can move into the sun.† I nodded furiously. Alice was near the front of the line. A man in a navy blue uniform was directing the flow of traffic, turning the cars away from the full lot. They U-turned and headed back to find a place beside the road. Then it was Alice’s turn. The uniformed man motioned lazily, not paying attention. Alice accelerated, edging around him and heading for the gate. He shouted something at us, but held his ground, waving frantically to keep the next car from following our bad example. The man at the gate wore a matching uniform. As we approached him, the throngs of tourists passed, crowding the sidewalks, staring curiously at the pushy, flashy Porsche. The guard stepped into the middle of the street. Alice angled the car carefully before she came to a full stop. The sun beat against my window, and she was in shadow. She swiftly reached behind the seat and grabbed something from her bag. The guard came around the car with an irritated expression, and tapped on her window angrily. She rolled the window down halfway, and I watched him do a double take when he saw the face behind the dark glass. â€Å"I’m sorry, only tour buses allowed in the city today, miss,† he said in English, with a heavy accent. He was apologetic, now, as if he wished he had better news for the strikingly beautiful woman. â€Å"It’s a private tour,† Alice said, flashing an alluring smile. She reached her hand out cf the window, into the sunlight. I froze, until I realized she was wearing an elbow-length, tan glove. She took his hand, still raised from tapping her window, and pulled it into the car. She put something into his palm, and folded his fingers around it. His face was dazed as he retrieved his hand and stared at the thick roll of money he now held. The outside bill was a thousand dollar bill. â€Å"Is this a joke?† he mumbled. Alice’s smile was blinding. â€Å"Only if you think it’s funny.† He looked at her, his eyes staring wide. I glanced nervously at the clock on the dash. If Edward stuck to his plan, we had only five minutes left. â€Å"I’m in a wee bit of a hurry,† she hinted, still smiling. The guard blinked twice, and then shoved the money inside his vest. He took a step away from the window and waved us on. None of the passing people seemed to notice the quiet exchange. Alice drove into the city, and we both sighed in relief. The street was very narrow, cobbled with the same color stones as the faded cinnamon brown buildings that darkened the street with their shade. It had the feel of an alleyway. Red flags decorated the walls, spaced only a few yards apart, flapping in the wind that whistled through the narrow lane. It was crowded, and the foot traffic slowed our progress. â€Å"Just a little farther,† Alice encouraged me; I was gripping the door handle, ready to throw myself into the street as soon as she spoke the word. She drove in quick spurts and sudden stops, and the people in the crowd shook their fists at us and said angry words that I was glad I couldn’t understand. You read "The Twilight Saga 2: New Moon Chapter 20 VOLTERRA" in category "Essay examples" She turned onto a little path that couldn’t have been meant for cars; shocked people had to squeeze into doorways as we scraped by. We found another street at the end. The buildings were taller here; they leaned together overhead so that no sunlight touched the pavementthe thrashing red flags on either side nearly met. The crowd was thicker here than anywhere else. Alice stopped the car. I had the door open before we were at a standstill. She pointed to where the street widened into a patch of bright openness. â€Å"Therewe’re at the southern end of the square. Run straight across, to the right of the clock tower. I’ll find a way around† Her breath caught suddenly, and when she spoke again, her voice was a hiss. â€Å"They’re everywhere?† I froze in place, but she pushed me out of the car. â€Å"Forget about them. You have two minutes. Go, Bella, go!† she shouted, climbing out of the car as she spoke. I didn’t pause to watch Alice melt into the shadows. I didn’t stop to close my door behind me. I shoved a heavy woman out of my way and ran flat out, head down, paying little attention to anything but the uneven stones beneath my feet. Coming out of the dark lane, I was blinded by the brilliant sunlight beating down into the principal plaza. The wind whooshed into me, flinging my hair into my eyes and blinding me further. It was no wonder that I didn’t see the wall of flesh until I’d smacked into it. There was no pathway, no crevice between the close pressed bodies. I pushed against them furiously, fighting the hands that shoved back. I heard exclamations of irritation and even pain as I battled my way through, but none were in a language I understood. The faces were a blur of anger and surprise, surrounded by the ever-present red. A blond woman scowled at me, and the red scarf coiled around her neck looked like a gruesome wound. A child, lifted on a man’s shoulders to see over the crowd, grinned down at me, his lips distended over a set of plastic vampire fangs. The throng jostled around me, spinning me the wrong direction. I was glad the clock was so visible, or I’d never keep my course straight. But both hands on the clock pointed up toward the pitiless sun, and, though I shoved viciously against the crowd, I knew I was too late. I wasn’t halfway across. I wasn’t going to make it. I was stupid and slow and human, and we were all going to die because of it. I hoped Alice would get out. I hoped that she would see me from some dark shadow and know that I had failed, so she could go home to Jasper. I listened, above the angry exclamations, trying to hear the sound of discovery: the gasp, maybe the scream, as Edward came into someone’s view. But there was a break in the crowdI could see a bubble of space ahead. I pushed urgently toward it, not realizing till I bruised my shins against the bricks that there was a wide, square fountain set into the center of the plaza. I was nearly crying with relief as I flung my leg over the edge and ran through the knee-deep water. It sprayed all around me as I thrashed my way across the pool. Even in the sun, the wind was glacial, and the wet made the cold actually painful. But the fountain was very wide; it let me cross the center of the square and then some in mere seconds. I didn’t pause when I hit the far edgeI used the low wall as a springboard, throwing myself into the crowd. They moved more readily for me now, avoiding the icy water that splattered from my dripping clothes as I ran. I glanced up at the clock again. A deep, booming chime echoed through the square. It throbbed in the stones under my feet. Children cried, covering their ears. And I started screaming as I ran. â€Å"Edward!† I screamed, knowing it was useless. The crowd was too loud, and my voice was breathless with exertion. But I couldn’t stop screaming. The clock tolled again. I ran past a child in his mother’s armshis hair was almost white in the dazzling sunlight. A circle of tall men, all wearing red blazers, called out warnings as I barreled through them. The clock tolled again. On the other side of the men in blazers, there was a break in the throng, space between the sightseers who milled aimlessly around me. My eyes searched the dark narrow passage to the right of the wide square edifice under the tower. I couldn’t see the street levelthere were still too many people in the way. The clock tolled again. It was hard to see now. Without the crowd to break the wind, it whipped at my face and burned my eyes. I couldn’t be sure if that was the reason behind my tears, or if I was crying in defeat as the clock tolled again. A little family of four stood nearest to the alley’s mouth. The two girls wore crimson dresses, with matching ribbons tying their dark hair back. The father wasn’t tall. It seemed like I could see something bright in the shadows, just over his shoulder. I hurtled toward them, trying to see past the stinging tears. The clock tolled, and the littlest girl clamped her hands over her ears. The older girl, just waist high on her mother, hugged her mother’s leg and stared into the shadows behind them. As I watched, she tugged on her mother’s elbow and pointed toward the darkness. The clock tolled, and I was so close now. I was close enough to hear her high-pitched voice. Her father stared at me in surprise as I bore down on them, rasping out Edward’s name over and over again. The older girl giggled and said something to her mother, gesturing toward the shadows again impatiently. I swerved around the fatherhe clutched the baby out of my wayand sprinted for the gloomy breach behind them as the clock tolled over my head. â€Å"Edward, no!† I screamed, but my voice was lost in the roar of the chime. I could see him now. And I could see that he could not see me. It was really him, no hallucination this time. And I realized that my delusions were more flawed than I’d realized; they’d never done him justice. Edward stood, motionless as a statue, just a few feet from the mouth of the alley. His eyes were closed, the rings underneath them deep purple, his arms relaxed at his sides, his palms turned forward. His expression was very peaceful, like he was dreaming pleasant things. The marble skin of his chest was barethere was a small pile of white fabric at his feet. The light reflecting from the pavement of the square gleamed dimly from his skin. I’d never seen anything more beautifuleven as I ran, gasping and screaming, I could appreciate that. And the last seven months meant nothing. And his words in the forest meant nothing. And it did not matter if he did not want me. I would never want anything but him, no matter how long I lived. The clock tolled, and he took a large stride toward the light. â€Å"No!† I screamed. â€Å"Edward, look at me!† He wasn’t listening. He smiled very slightly. He raised his foot to take the step that would put him directly in the path of the sun. I slammed into him so hard that the force would have hurled me to the ground if his arms hadn’t caught me and held me up. It knocked my breath out of me and snapped my head back. His dark eyes opened slowly as the clock tolled again. He looked down at me with quiet surprise. â€Å"Amazing,† he said, his exquisite voice full of wonder, slightly amused. â€Å"Carlisle was right.† â€Å"Edward,† I tried to gasp, but my voice had no sound. â€Å"You’ve got to get back into the shadows. You have to move!† He seemed bemused. His hand brushed softly against my cheek. He didn’t appear to notice that I was trying to force him back. I could have been pushing against the alley walls for all the progress I was making. The clock tolled, but he didn’t react. It was very strange, for I knew we were both in mortal danger. Still, in that instant, I felt well. Whole. I could feel my heart racing in my chest, the blood pulsing hot and fast through my veins again. My lungs filled deep with the sweet scent that came off his skin. It was like there had never been any hole in my chest. I was perfectnot healed, but as if there had been no wound in the first place. â€Å"I can’t believe how quick it was. I didn’t feel a thingthey’re very good,† he mused, closing his eyes again and pressing his lips against my hair. His voice was like honey and velvet. â€Å"Death, that hath sucked the honey of thy breath, hath had no power yet upon thy beauty,† he murmured, and I recognized the line spoken by Romeo in the tomb. The clock boomed out its final chime â€Å"You smell just exactly the same as always,† he went on. â€Å"So maybe this is hell. I don’t care. I’ll take it.† â€Å"I’m not dead,† I interrupted. â€Å"And neither are you! Please Edward, we have to move. They can’t be far away!† I struggled in his arms, and his brow furrowed in confusion. â€Å"What was that?† he asked politely. â€Å"We’re not dead, not yet! But we have to get out of here before the Volturi† Comprehension flickered on his face as I spoke. Before I could finish, he suddenly yanked me away from the edge of the shadows, spinning me effortlessly so that my back was tight against the brick wall, and his back was to me as he faced away into the alley. His arms spread wide, protectively, in front of me. I peeked under his arm to see two dark shapes detach themselves from the gloom. â€Å"Greetings, gentlemen,† Edward’s voice was calm and pleasant, on the surface. â€Å"I don’t think I’ll be requiring your services today. I would appreciate it very much, however, if you would send my thanks to your masters.† â€Å"Shall we take this conversation to a more appropriate venue?† a smooth voice whispered menacingly. â€Å"I don’t believe that will be necessary.† Edward’s voice was harder now. â€Å"I know your instructions, Felix. I haven’t broken any rules.† â€Å"Felix merely meant to point out the proximity of the sun,† the other shadow said in a soothing tone. They were both concealed within smoky gray cloaks that reached to the ground and undulated in the wind. â€Å"Let us seek better cover.† â€Å"I’ll be right behind you,† Edward said dryly. â€Å"Bella, why don’t you go back to the square and enjoy the festival?† â€Å"No, bring the girl,† the first shadow said, somehow injecting a leer into his whisper. â€Å"I don’t think so.† The pretense of civility disappeared. Edward’s voice was flat and icy. His weight shifted infinitesimally, and I could see that he was preparing to fight. â€Å"No.† I mouthed the word. â€Å"Shh,† he murmured, only for me. â€Å"Felix,† the second, more reasonable shadow cautioned. â€Å"Not here.† He turned to Edward. â€Å"Aro would simply like to speak with you again, if you have decided not to force our hand after all.† â€Å"Certainly,† Edward agreed. ‘†But the girl goes free.† â€Å"I’m afraid that’s not possible,† the polite shadow said regretfully. â€Å"We do have rules to obey.† â€Å"Then I’m afraid that I’ll be unable to accept Aro’s invitation, Demetri.† â€Å"That’s just fine,† Felix purred. My eyes were adjusting to the deep shade, and I could see that Felix was very big, tall and thick through the shoulders. His size reminded me of Emmett. â€Å"Aro will be disappointed,† Demetri sighed. â€Å"I’m sure he’ll survive the letdown,† Edward replied. Felix and Demetri stole closer toward the mouth of the alley, spreading out slightly so they could come at Edward from two sides. They meant to force him deeper into the alley, to avoid a scene. No reflected light found access to their skin; they were safe inside their cloaks. Edward didn’t move an inch. He was dooming himself by protecting me. Abruptly, Edward’s head whipped around, toward the darkness of the winding alley, and Demetri and Felix did the same, in response to some sound or movement too subtle for my senses. â€Å"Let’s behave ourselves, shall we?† a lilting voice suggested. â€Å"There are ladies present.† Alice tripped lightly to Edward’s side, her stance casual. There was no hint of any underlying tension. She looked so tiny, so fragile. Her little arms swung like a child’s. Yet Demetri and Felix both straightened up, their cloaks swirling slightly as a gust of wind funneled through the alley. Felix’s face soured. Apparently, they didn’t like even numbers. â€Å"We’re not alone,† she reminded them. Demetri glanced over his shoulder. A few yards into the square, the little family, with the girls in their red dresses, was watching us. The mother was speaking urgently to her husband, her eyes on the five of us. She looked away when Demetri met her gaze. The man walked a few steps farther into the plaza, and tapped one of the red-blazered men on the shoulder. Demetri shook his head. â€Å"Please, Edward, let’s be reasonable,† he said. â€Å"Let’s,† Edward agreed. â€Å"And we’ll leave quietly now, with no one the wiser.† Demetri sighed in frustration. â€Å"At least let us discuss this more privately.† Six men in red now joined the family as they watched us with anxious expressions. I was very conscious of Edward’s protective stance in front of mesure that this was what caused their alarm. I wanted to scream to them to run. Edward’s teeth came together audibly. â€Å"No.† Felix smiled. â€Å"Enough.† The voice was high, reedy, and n came from behind us. I peeked under Edward’s other arm to see a small, dark shape coming toward us. By the way the edges billowed, I knew it would be another one of them. Who else? At first I thought it was a young boy. The newcomer was as tiny as Alice, with lank, pale brown hair trimmed short. The body under the cloakwhich was darker, almost blackwas slim and androgynous. But the face was too pretty for a boy. The wide-eyed, full-lipped face would make a Botticelli angel look like a gargoyle. Even allowing for the dull crimson irises. Her size was so insignificant that the reaction to her appearance confused me. Felix and Demetri relaxed immediately, stepping back from their offensive positions to blend again with the shadows of the overhanging walls. Edward dropped his arms and relaxed his position as wellbut in defeat. â€Å"Jane,† he sighed in recognition and resignation. Alice folded her arms across her chest, her expression impassive. â€Å"Follow me,† Jane spoke again, her childish voice a monotone. She turned her back on us and drifted silently into the dark. Felix gestured for us to go first, smirking. Alice walked after the little Jane at once. Edward wrapped his arm around my waist and pulled me along beside her. The alley angled slightly downward as it narrowed. I looked up at him with frantic questions in my eyes, but he just shook his head. Though I couldn’t hear the others behind us, I was sure they were there. â€Å"Well, Alice,† Edward said conversationally as we walked. â€Å"I suppose I shouldn’t be surprised to see you here.† â€Å"It was my mistake,† Alice answered in the same tone. â€Å"It was my job to set it right.† â€Å"What happened?† His voice was polite, as if he were barely interested. I imagined this was due to the listening ears behind us. â€Å"It’s a long story.† Alice’s eyes flickered toward me and away. â€Å"In summary, she did jump off a cliff, but she wasn’t trying to kill herself. Bella’s all about the extreme sports these days.† I flushed and turned my eyes straight ahead, looking after the dark shadow that I could no longer see. I could imagine what he was hearing in Alice’s thoughts now. Near-drownings, stalking vampires, werewolf friends â€Å"Hm,† Edward said curtly, and the casual tone of his voice was gone. There was a loose curve to the alley, still slanting downward, so I didn’t see the squared-off dead end coming until we reached the flat, windowless, brick face. The little one called Jane was nowhere to be seen. Alice didn’t hesitate, didn’t break pace as she strode toward the wall. Then, with easy grace, she slid down an open hole in the street. It looked like a drain, sunk into the lowest point of the paving. I hadn’t noticed it until Alice disappeared, but the grate was halfway pushed aside. The hole was small, and black. I balked. â€Å"It’s all right, Bella,† Edward said in a low voice. â€Å"Alice will catch you.† I eyed the hole doubtfully. I imagine he would have gone first, if Demetri and Felix hadn’t been waiting, smug and silent, behind us. I crouched down, swinging my legs into the narrow gap. â€Å"Alice?† I whispered, voice trembling. â€Å"I’m right here, Bella,† she reassured me. Her voice came from too far below to make me feel better. Edward took my wristshis hands felt like stones in winterand lowered me into the blackness. â€Å"Ready?† he asked. â€Å"Drop her,† Alice called. I closed my eyes so I couldn’t see the darkness, scrunching them together in terror, clamping my mouth shut so I wouldn’t scream. Edward let me fall. It was silent and short. The air whipped past me for just half a second, and then, with a huff as I exhaled, Alice’s waiting arms caught me. I was going to have bruises; her arms were very hard. She stood me upright. It was dim, but not black at the bottom. The light from the hole above provided a faint glow, reflecting wetly from the stones under my feet. The light vanished for a second, and then Edward was a faint, white radiance beside me. He put his arm around me, holding me close to his side, and began to tow me swiftly forward. I wrapped both arms around his cold waist, and tripped and stumbled my way across the uneven stone surface. The sound of the heavy grate sliding over the drain hole behind us rang with metallicfinality. The dim light from the street was quickly lost in the gloom. The sound of my staggering footsteps echoed through the black space; it sounded very wide, but I couldn’t be sure. There were no sounds other than my frantic heartbeat and my feet on the wet stonesexcept for once, when an impatient sigh whispered from behind me. Edward held me tightly. He reached his free hand across his body to hold my face, too, his smooth thumb tracing across my lips. Now and then, I felt his face press into my hair. I realized that this was the only reunion we would get, and I clutched myself closer to him. For now, it felt like he wanted me, and that was enough to offset the horror of the subterranean tunnel and the prowling vampires behind us. It was probably no more than guiltthe same guilt that compelled him to come here to die when he’d believed that it was his fault that I’d killed myself. But I felt his lips press silently against my forehead, and I didn’t care what the motivation was. At least I could be with him again before I died. That was better than a long life. I wished I could ask him exactly what was going to happen now. I wanted desperately to know how we were going to dieas if that would somehow make it better, knowing in advance. But I couldn’t speak, even in a whisper, surrounded as we were. The others could hear everythingmy every breath, my every heartbeat. The path beneath our feet continued to slant downward, taking us deeper into the ground, and it made me claustrophobic. Only Edward’s hand, soothing against my face, kept me from screaming out loud. I couldn’t tell where the light was coming from, but it slowly turned dark gray instead of black. We were in a low, arched tunnel. Long trails of ebony moisture seeped down the gray stones, like they were bleeding ink. I was shaking, and I thought it was from fear. It wasn’t until my teeth started to chatter together that I realized I was cold. My clothes were still wet, and the temperature underneath the city was wintry. As was Edward’s skin. He realized this at the same time I did, and let go of me, keeping only my hand. â€Å"N-n-no,† I chattered, throwing my arms around him. I didn’t care if I froze. Who knew how long we had left? His cold hand chafed against my arm, trying to warm me with the friction. We hurried through the tunnel, or it felt like hurrying to me. My slow progress irritated someoneI guessed Felixand I heard him heave a sigh now and then. At the end of the tunnel was a gratethe iron bars were rusting, but thick as my arm. A small door made of thinner, interlaced bars was standing open. Edward ducked through and hurried on to a larger, brighter stone room. The grille slammed shut with a clang, followed by the snap of a lock. I was too afraid to look behind me. On the other side of the long room was a low, heavy wooden door. It was very thickas I could tell because it, too, stood open. We stepped through the door, and I glanced around me in surprise, relaxing automatically. Beside me, Edward tensed, his jaw clenched tight. How to cite The Twilight Saga 2: New Moon Chapter 20 VOLTERRA, Essay examples

The uses of propaganda posters in World War free essay sample

On the poster you see a man and his two children. A girl is sitting on his lap with an open book, and a boy is sitting on the floor playing with soldiers. The daughter looks at him asking â€Å"Daddy, what did YOU do in the Great War? †. They designed the poster to induce a sense of patriotic guilt. They were trying to capture the British men unwilling to volunteer for the war and make them feel guilty if they didn’t join. The picture depicts a situation in the future, after the war, where the daughter asks her dad expectantly how he contributed to the war. The war on the poster is already over, the dad cant re-do it. This sends a message to the young boys, unwilling to go to war. Making them think what they would tell their children if they asked what he had done for the war. We will write a custom essay sample on The uses of propaganda posters in World War or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page It also shows that he will come home to his family. The family in the poster are smartly dressed and look wealthy. The colours in the poster symbolise the war and army, the curtains have red roses on them and the chair has the sign of the royal coat of arms on it. This would also make the man think because these are marks of patriotism but this man has not done the patriotic thing. Everything in the poster is positive; nothing would put men off from joining the war even the boy’s toy soldiers are all standing up. â€Å"At the front† This poster would stand out to men because it is showing cavalry in battle, with horses reacting to an explosion in the foreground. This poster is trying to make boys interested in joining war to fight for their country. At the front† stands out to all readers, this would seem exciting to boys because they would be fighting at the front with their horses making them brave as the poster states. It also says â€Å"every fit briton should join† this implies that the men that fight in the war are healthy, strong and brave. It also sends out a challenge that is unspoken â€Å"ARE YOU†. This poster is very manly. The colours in this poster ties in to army colours, brown and green. This poster stands out because of the explosion. Most young boys would want be at the front with their horses working as part of a team, it is clear  these men work as comrades together to fulfill their task of bringing up the guns. Both of the posters’ primary purpose is to make men to join the army. During the World War 1, there were many of propaganda posters to persuade men in their country to enlist in the army. In addition, these two posters were one of propaganda poster to convince men to join the army with some of biased truth. Even though two of posters made same primary purpose, each of them has illustrated different intend and feeling. The poster, â€Å"Daddy, what did you do in the Great War† arouses guilt with sarcasm to those men who did not yet join the army so that it leads to men to join the army. Nonetheless, the poster, At the front! † imbue the courage and morale of the men that fight in the war. Personally I think the poster that poster â€Å"Daddy what did you do for the great war? † stands out because it is making you feel guilty with the children although the poster â€Å"At the front† would stand out more to men because it is very manly.